In Development
PONY CLUB (Working Title)
Writer Grace Wilson
Development History
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Backbone HUB Residency 2024 - Work-In-Progress Reading. Find Out More.
"Pony Club" is an overnight fan-fiction sensation - with over 90 thousand reads and 22 thousand favourites, the name is synonymous with success. Little does the public know that the author PonyLuvr459 is a group of five teenage writers and they plan to keep it this way. One doesn’t have time for stardom, two have overbearing parents, one owns a cattle farm and the other is scared to be seen writing, well, fanfiction. That is until one team member anonymously leaks the identities of the five writers to the world before their big finale chapter. Confused, conflicted, and thrust into a world of Harry Potter superfans, a Twitter coup and a Tom Felton cameo, the team must figure out who the mole is before the rest of PonyLuvr459 is leaked to the rest of the internet.
Dramaturgy by Emma Churchland.
PONY CLUB is commissioned through the Telescope New Writing Program. Observatory Theatre receives funding from Creative Australia through the Australian Cultural Fund.
Grace Wilson is a 19-year-old playwright living in Meanjin, Queensland and has been involved in writing for stage for several years now. She has received awards for her works in this genre including the 2022 Queensland Theatre’s Young Playwrights’ Award, and was shortlisted for Sydney Theatre Company’s Patrick White Playwrights’ Award, the Griffin Award and the Queensland Premier's Drama Award. She has prose published with Regional Arts Australia, and has also been longlisted for two commissions: the ATYP Foundation Commission, and the Martin Lysicrates Prize. Over the past two years, she has completed playwriting training programs including JUTE WriteSparks, Queensland Theatre’s Young Writers’ Ensemble and ATYP Fresh Ink Mentoring. She is currently under commission with Queensland University of Technology.
THE BLACKBIRD KILLING (Working Title)
Writer Samantha Hill
Sloane is disillusioned with mindless, low-skilled work, but knows it's her path for the next 30 years. Relationships and children are not going to happen, and it’s been so long since she had a real friend that she’s wondering if her life has any purpose at all. But then she hits on a solution. That special tarot card that has followed her around her whole life has been trying to tell her something: Sloane’s meant to kill her boss and save everyone. Obviously. The Blackbird Killing is a black comedy about people searching for community, and some kind of life and identity beyond work.
Dramaturgy by Emma Churchland.
THE BLACKBIRD KILLING is commissioned through the Telescope New Writing Program. Observatory Theatre receives funding from Creative Australia through the Australian Cultural Fund.
Samantha Hill is a Brisbane-based writer, teacher, and actor. She predominantly works in theatre but was one of the 2022 winners of Queensland Writers' Centre's Scriptable competition for emerging screenwriters, with her TV series, ‘Miss Teen America & the Wooltown Roadkill.’ She has developed scripts with Playwriting Australia, Small & Loud, and ATYP. In 2016, she was commissioned to write ‘Binary Stars & Best Lives’ by Red Line Productions for the Old Fitz Theatre, and previously had ‘Dancing Dogs’ commissioned by St. Martin’s Youth Theatre, Melbourne. In 2017, Samantha was awarded the inaugural playwriting Hot Desk Fellowship through the Wheeler Centre (Vic). She has had two scripts published by Australian Plays Transform. In 2021, she won Best Actress at the British Web Awards for ‘Incoming: Words of War,’ and in 2016, she was nominated for the Best Emerging Talent Award at the Ozflix awards for her starring role in the feature film, ‘Trench.’